Sunday, 24 October 2010

Seasonal denial.

 Chloé, second-hand
I am currently living my life in the subdued yet warm tones of the season. Of course, the inverse nature of Australia's seasons mean that rather than running in parallel with the subtle opulence of the current fashion mood in the Northern Hemisphere, our main shopping haunts are awash with the fine cottons and saturated colour of an impending warm season.

I am a traditionalist at heart. For me, the tail-end of any year should be awash with bright-white winter skies, a biting chill upon exiting the house in the morning, and every outfit anchored with a thick, insulating pair of woolen tights. Instead, the closing months of any year in this Southern land are all about golden-tanned legs stretching from below a tiny skirt, make-up melting off in the eleven AM sunshine and finding the perfect navy-blue maillot for long sticky days at the beach.

But I am a master of seasonal denial, and plan to pretend the degrees are dropping for as long as I can in richly fragranced perfumes, fine-gauge knits in Winter's key caramel tones and legs as pale as snow.

Monday, 31 May 2010

Beautiful Badlands.


"I felt all kinds of things looking at the lights of Cheyenne, but most important I made up my mind to never tag around with a hell-bent type, no matter how in love with him I was."

Badlands, Terence Malick's 1973 tribute to murderous youthful rebellion, has burrowed itself deep into my style subconscious. So much so that the very edges of my eyes seem encrusted with the red grit of those sandy Montana plains.


Sissy Spacek's flushed ingénue Holly knows so little about the disjointed world she inhabits- her life is furnished by the gossip of trashy magazines and the mind-numbing inertia of baton twirling. That is until bad-boy garbage collector Kit shows her the true meaning of getting your hands dirty (leaving a trail of bodies in his wake, of course).


Holly is the sweetest of runaways, all strawberry blonde hair and high-buttoned naivety. A dewy mirage in the scorched wilderness. An accomplice to murder that you'd be happy to take home to your mother. As unsure of herself as she is sure of her unhinged lover, she follows him without question, hands bloodied along the way.


Sweet sundresses and frothy white blouses are the fierce antithesis of her criminal status. Everything is teamed with that tough-wearing perennial, denim. Loafers and socks complete this most perfectly innocent of disguises. Saccharine utility.


And if there is anyone that can make double-denim look positively bad-ass, it's two murderess fugitives in the badlands of Montana.

With this in mind, all I want to wear right now is breezy cotton in traditional prints, the barest of makeup and denim... with everything.



Wednesday, 12 May 2010

Clog blog.

 Clogs; Funkis, socks; H&M

Alright. I’m lazy. There you have it. As if you needed clarification considering my absence of almost a month. I disgust myself, really. Too lazy for blogging. Too lazy for today’s French class (although the promise of revising the subjonctif was indeed tempting). And, as I confessed in my first post, too lazy for high heels.
 
That is, until these pretty much perfect Funkis clogs came my way. It seems to me now that no outfit is complete without the addition of these grayscale dinosaurs, the added bonus being that their clumpy brand of cool makes the stumpy legs on top look positively Alexa-esque. They are a sure joy to walk in, too- I’ve been avoiding the bus for days just to see the perplexed faces of unsavvy bystanders, and savour the slack-jawed envy of many a clog loving Sydney girl as I clomp by.
 
In the general habit of overdressing for entirely mundane occasions, I popped on my babies for a family function with some magical H&M socks. Aunties, cousins many times removed and assorted spouses let me know that I had committed the cardinal sartorial sin of socks and sandals. Mum let me know in no unclear terms that she had spent many years working this most characteristic British tourist trait out of my Welsh stepfather, and she didn't enjoy her firstborn succumbing to it. I told them all they "just didn't get fashion". Mum told me to "get over myself". Probably wise.

My favourite reaction to what are clearly the most incredible shoes in the world, however, came from my dear father. I spent many a school holiday up North,with nothing to do but watch dodgy regional TV, replete with equally dodgy regional advertising. As soon as I told Dad about the Funkis clogs, he burst into a rousing rendition of the jingle for a questionable local tourist attraction- The Clog Barn. All together now!
 
Come to the Clog Barn for a good time
See a piece of Holland Down Under!
With our Dutch coffee house,
Bring your family along
For the best fun in Coffs Harbour!
The Clog Barn!!
 
Props to Rebecca for the genius title. The only thing I like more than my clogs... is you!

Monday, 19 April 2010

April's uniform.

Ring; H&M, lockets; 1928, watch; Burberry, cuff; Sportsgirl, slip; Target, skirt; H&M

A small snippet of today’s outfit. There is something so satisfying about the sumptuous tangibility of disparate fabrics- a silken nude slip fished from my mother’s underwear drawer and layered under a tough black leather skater skirt has been my uniform for the past few days. A requisite tangle of pendants collected over the years is the perfect safety blanket for every outfit. I will be wearing it tomorrow for good luck on the first day of my new job!

Tuesday, 6 April 2010

Cool, calm, collected.

 It’s so very miserable outside at the moment. Our city has been cloaked in a thick humidity. Stuck on the bus in the early mornings, everyone has a moist frosting of sweat on their necks. When the humidity breaks, it gives way to a dire drizzle that does nothing but compel all of us Sydney residents to whine about the Autumn that never quite seems to arrive. I am craving uncomplicated, sunny simplicity in this grey, suffocating Sydney. 

The video clip for Roy Orbison’s I Drove All Night captures the sun-bleached freedom I’m craving- Jennifer Connelly in all her unplucked-eyebrowed splendour, oversized denim button-downs, unaccessorised black bodysuits, and heavy leather jackets thrown over everything. I never quite got this new season obsession with sportswear until I saw her cavorting in swathes of the stuff in desert America. It's a given that a young Jason Priestly pushed my obsession with this video a little over the edge of propriety. It may be a bit eighties, but it’s all about clean lines, feeling comfy, and looking downright cool. And, if you ask me, those qualities are just about timeless.

Sunday, 14 March 2010

Vitamin C for the sartorial soul.

Barely two weeks into flu season and I find myself at the mercy of a sandpaper throat and hacking cough. I haven’t even been blessed with the gift of a sultry, husky drawl- less Bardot and more a modern day Clint Eastwood.
 

Holed up at my parents’, too much of a baby to face the perils of illness alone, I have spent the last few days in an intolerably lazy fashion, playing up to my illness with exaggerated groans and sighs, moving only to reach for the cough syrup (decidedly less delicious than in my childhood memories), turn the pages in a battered copy of ‘Love in a Cold Climate’ (nothing like aristocratic intrigue for a bit of distraction) and take sips of the seemingly bottomless glass of Berocca that my lovely Mother is wont to provide (“All you need, Lillian, is a bit of Vitamin C.”).
 

Ahh, Berocca. That effervescent beacon of health and deliciousness. Just a glimpse of the bright orange liquid, fizzing away, is enough to jolt me into a moment of health and happiness, and I have been downing it like it is going out of fashion. I remember as a child sneaking small handfuls of chewable Vitamin C tablets from the little plastic jar in the medicine cabinet. Upon discovery, my mouth frothing with sugary orange saliva, my Mother was quick to assert that, although good in small doses, too many Vitamin C tablets would “turn your skin orange”.
 

I am what you would call a Vitamin C enthusiast. I go not a morning without a big, glistening glass of fresh orange juice, and I nearly threw-up with excitement the contents of a pint glass one night upon discovering that a good friend was the granddaughter of Vitamin C pioneer Linus Pauling (seminal life moment, anyone?). And so, having my mother ply me with glass upon glass of Berocca to whip me back to health is something of a dream come true. 
Miu Miu, Isabel Marant, Hermès
The Autumn runways have given me a good sartorial dose of Vitamin C to further ease my sickly ways- pops of bright, cheer inducing orange littered the collections, plastering my face with a cheery smile (when it wasn’t demented into the scowl that constant coughing fits demand).
 A good lick of bright orange lipstick- Morange by MAC- makes for some seriously juicy lips. Some almost-garish platforms by John Galliano will brighten your day every time you look down. And do I really need an excuse to put up this gloriously gaudy YSL Arty Ovale ring?

Some small doses of Vitamin C for the sartorial soul.

Saturday, 13 March 2010

Ice ice, baby.

I write this from beneath three gloriously cosy layers of downy duvet, plush blanket and gaudy quilt. My tootsies are ensconced in some gloriously wooly bed socks and I don’t plan to emerge from my toasty cave unless it is to make a mug of milky Earl Grey. The March chill has finally started to make itself comfortable.

The colder seasons are my favourite. I love black-tighted liquorice legs and short skirts with long jackets. I love the warmth of bad takeaway coffee in a paper cup between my palms and the smell of cigarette smoke carried on chill winds. I love the way the city is reduced to a bleak grayscale, the way everything is frozen and sharp at its edges.
 Chanel
 Autumn’s offerings from Chanel, like Karl Lagerfeld’s idea of shipping in a (very real and presumably very, very cold) iceberg from Scandinavia, were an intriguing mix of icy and kooky. The tense frigidity of Wintery bite could be felt in thick layers of Arctic white adorned with strings of glassy accessories. There was something of the slightly unhinged ice maiden , too- the models bundled in swathes of luxurious fabrics, dressed to the nines despite sub-zero temperatures.


Above all else, this drop in temperature has occurred in perfect harmony with the release of Foals’ new single Spanish Sahara. The video clip, with its crystalline seas of fragmented ice floes and endless shades of gray, is a beautiful window to outside’s Winter when tucked up snug in bed.

Friday, 5 March 2010

Back to school.

 
Autumn Semester at university has only just begun, and with the onset of class, the stress of late night papers and early morning lectures (generally whilst nursing a bad hangover) has also begun.

"The feeling of innocence, play, magic, and love." is how New Zealand label Ruby is described on its website. With its soft, childlike aesthetic, Ruby's collection of delicate tunics, rough-and-tumble rompers and tomboy schoolgirl attire, is one that would be just as appropriate in the schoolyard as on the streets. I intend to take a step back into my schoolgirl past, to the days of learning times tables by wrote and playing kiss-and-catch in the playground, wearing denim overalls and knee-highs to my classes- injecting a bit of schoolday playfulness into a much too grown-up university life.

 
 Some ideas to make the return to uni that little bit less serious? This pencil pendant from Whistles is a sweet, wearable reminder of your academic pursuits (or lack thereof). Rhodia notebooks are a stylish way to jot down notes and doodle unflattering caricatures of your professors during lectures. A good, sturdy satchel from the Cambridge Satchel Company in a fire-engine red to make lugging around a tonne of books all day that little bit more cheery. Some super practical shoes by Topshop for traipsing around campus from dawn to dusk.

And, of course, an appropriately dreamy song in your ears to make education that bit more romantic.

Thursday, 4 March 2010

Piece of cake.

I spent last year living in France, occupying most of my time with the copious consumption of delectable gateaux, tarts and pastries. I suppose that if my 2009 could be summed up in but one word, it would be gluttonous. And, as is usually the punishment for such carbohydrate-laden greed, I landed in Sydney with a very light wallet and an extremely hefty paunch. France, it seems, was very good to my voracious appetite for sugary treats, but not so good to my thighs. Or my waist. Or, indeed, my entire body from the ankles up.

And so, I have been in self-imposed sweet-toothed exile for the good part of two months. Much of my wardrobe has been rendered unusable, and my too-skinny jeans sit on their shelf, silently mocking me for such French gluttony. No more cakes for me!
Addison Gill as Blueberry Muffin in Cacharel, Kate Somers as Raspberry Tart in Sonia Rykiel, Kim Noorda as Strawberry Shortcake in Charles Anastase
With such an insatiable appetite for sweet treats, imagine my sugar-starved joy when I picked up the latest issue of Lula. The issue celebrates Lula’s fifth birthday with designers’ interpretations of the characters from Strawberry Shortcake. As a five year old, I remember playing with saccharine scented Strawberry Shortcake dolls. With their cute-as-pie frocks and freckled faces, the girls from the cartoon were my favourites, and it is quite a delight to see them all grown up, fitted out in designer frippery, all a bit more sassy than sweet.

Seeing such delectably dressed girls made me realise that perhaps my cake-based cravings could be satiated in a way much more friendly to my belly than a trip to the bakery. I was reminded of a beautiful silk scarf by Paul Smith I bought for my mother in Paris. Covered in scrumptious looking tarte aux fraises and rainbow cupcakes, it was a novel way to bring a bit of sweetness home without it spoiling in my suitcase.
Paul Smith
And so, I have been converted to Dessert Dressing. I can have my cake (I just can’t eat it, too). I’ll be sticking to clothes that make me look like they’ve been frosted on with the help of a piping bag, and dusted with a liberal amount of icing sugar.

Tuesday, 2 March 2010

Into the wardobe.

  
Ever since the age of seven, I have been thoroughly convinced that my life would be richer were I Lucy Pevensie, the heroine of C.S. Lewis’ ‘The Lion , the Witch and The Wardrobe’. How much more interesting things would be would be, how much more magical, if I could climb into my mother’s huge closet and, instead of playing hide and seek among the thick jungle of coats and dresses, tumble backwards into the icy wonderland of Narnia- all valiant adventure, Turkish delight and talking animals.
 
Of course, I suppose that even if your wardrobe is not a portal into the thrill of a frosty otherworld, adventure can still be sought and won from its depths. Playing dress-up as children taught us no less. I personally liked to prance around my bedroom, the contents of the costume box strewn all over the floor, dressed as a Turn Back Time era Cher or, in marked contrast, a sheep with a shearling coat draped artfully over my back.

 
  Unique, Burberry Prorsum, Boy by Band of Outsiders
Bringing magic and literary nostalgia back into the icy bleakness of Winter, many looks on the Fall runways have reminded me of the childish Englishness of C.S. Lewis’ Pevensie children, and the fantastical creatures that inhabit fabled Narnia- the bestial madness of Unique’s antlered ice maidens, oversized bear fur jackets at Burberry Prorsum that look to have been snatched from the back of Mummy’s wardrobe by a little girl eager to have snowy adventures (with her sleeves rolled up to her wrists, of course), and Boy by Band of Outsiders’ take on the prim Englishness of the Pevensie's, with a touch of fox fur for good measure.

I think it's time for us all to take a gallant leap into the depths of the wardrobe, fur collars, conversational wood creatures and all (if only for fashion's sake).

Thursday, 25 February 2010

Smith takes on the Snuggie.

 Paul Smith
There is no secret from where the esteemed Paul Smith found inspiration for the former of these Fall pieces- why, it is quite evident that it is the high-fashion equivalent of the humble Snuggie.
 
A credible option for those fashionphiles among us who don’t like surrendering to the seduction of twenty-minute infomercials, the Paul Smith Rug Robe will take you from naptime to night life with no change of clothes necessary!
 
Best of all, it’s a look easily replicated at home! I’m sure most of us have a blanket just like this, crafted by a well meaning grandma or aunt with too much time on her hands, tucked at the back of the linen closet. Drape artfully, cinch at the waist with a thick leather belt, and you’ll get the designer duvet dress look without forking out a penny!

The delicious Holly Fulton.

  
Holly Fulton
In the hands of newcomer Holly Fulton, Art Deco went a bit mad at London Fashion Week. Vivid black prints saw 1920s geometry become futuristic- the Empire State Building turned cyborg. In colours so sherbety they’d probably sell in a sweet shop, darling shifts in soft-hued suede’s of creamy coral, cheeky lemon and milky grey would be the perfect sugary antidote to bittersweet London fog. Each piece was a carefully constructed pick-n-mix in a playful collage of print, colour and fabric, and despite this seemingly clashing mélange, everything was sleek, modern and utterly delicious. 

In short, I just wanted to give it all a big lick.

Short order.

 
 Second-hand wonder shorts
My father wears Cheap Mondays. I’ll let that sink in for a bit.
 
That’s right, my fifty-something year old father spends a fair portion of his life, legs squeezed like a pair of anemic sausages, into some trendy Swedish tubes of denim. I’ve learned to accept the fact that, from the back, my father frequently resembles the long-lost balding member of The Horrors. I’ve also learned to accept that his legs are better than mine.
 
My father discovering his inner trendy Swede, however, hasn’t been all bad. Long before the Cheap Monday era came the epoch of trying on my Sass & Bide jeans in moments of nostalgic “I miss sixties stovepipes and my lustrous locks!” hysteria. Better resembling an aging member of a mediocre over-hyped indie band than your twenty year-old daughter, I suppose. And fair play, the rediscovery of the skinny jean had left twenty years worth of Levi 501s in Dad’s wardrobe, never to be worn by their too-cool owner again, all in varying degrees of paint-stain, sweat and faded nonchalance. In other words, ripe for the cutting.
 
Just when the going got tough for Dad’s delightful old denim though, my fabric scissors poised glinting on the verge of creating a deliciously worn-in pair of cut-offs (requisite Sydney Summer regalia, you see), he succumbed to all the sissy sentiment that a pair of tight black jeans suggests. Snatching them from my grip, which was tight with the expectation of DIY, he placed the jeans and their twenty or so siblings on the very top shelf of his wardrobe. “You probably shouldn’t cut them up, Lil,” he said, “they’re my favourites.”
“Dad, you have a load, and you never wear them!”
“Maybe, but I love them.”
 
I suppose I could wrap this up metaphorically, claiming it to be an allegory for wanting to preserve memories of the past. I could use it as a bridging-the-generations story, about how the best designs are perennial, how they survive and continue to have life breathed into them in successive decades. But, in the end, this is just a story about how the promise of the perfect denim cut-offs was cruelly dangled in front of me by a father too trendy for his own good, and how I thought my bum was fated never to be clad in vintage denim so perfectly high waisted it could be deemed criminal.
 
It’s been years now since the 501 incident. My father remains devoted to jeans so tight his mobility is limited to a mere shuffle, and the Levis sit, the aroma of moth balls now irrevocably entrenched, unworn on the top shelf. A relic of his daggy mid-nineties days. I have spent many a melancholy afternoon gazing longingly at the cut-offs that never were, legs stuffed into some mediochre store-bought denim without the subtle nuances brought on by years of blood, sweat and spilt beers that only vintage denim provides.
 
Those days, however, are over. For just as the days have begun to get shorter, just as the chill of an impending Autumn starts hitting the mornings, I have found my darlings hidden in a local charity shop- faded to within an inch of their frankly probably unimpressive lives (up to now, of course), button fly trailing far up past my bellybutton, the most trashy-fabulous pair of denim shorts ever known to this tush.
 
Let’s hope my father doesn’t try to take them for a spin.

Monday, 22 February 2010

The blues are still blue.

 
L-R; second-hand, Topshop, Temt, second-hand
My wardrobe is giving me the blues. Not the type of blues that have one holed up in one’s room drinking bottles of red wine until four AM. Nor the blues that involve wailing Take That lyrics, eyes brimming with hot tears, into a hairbrush. Nope. I have the sartorial blues, and I assure you, these are much more pleasant than the aforementioned.
 
The blues are smart, not sexy. They gently insinuate themselves. They don’t have the volatile sucker-punch of a bright tomato red or the fiery seduction of a deep crimson. They lap at the edges of your fashion consciousness until suddenly, the whole thing overflows and you realize that you have spent the past week doing everything in head to toe blue- laid-back café days in chilled faded denim and a crisp duck-egg Oxford with rolled-up sleeves, gallery hopping in breezy steel-blue ombre and suede navy, late night pints and dancing in a deep midnight velvet. Hell, even my fingernails are a perky powdery shade.

  
Chilled-out elegance by Richard Nicoll, languid fluidity by Mark Fast, clean-cut cool by Arnsdorf
The blues are cool without being contrived. They can hint at the boundless depth of the deepest ultramarine sea or the chill clarity of a cloudless sky. 
 
The insouciant double-deniming cool of Alexa and Pixie just goes to show- nothing beats the blues.

Friday, 19 February 2010

Sun-drenched farewells.

 
Lover
These fashion weeks are making me fretful.Watching the heavily booted, rugged up hordes descend chap-lipped and red-cheeked onto the streets of New York and London gives me a sense of seasonal dread. While the Northern Hemisphere folk can see the light at the end of a particularly icy runway, us Antipodeans are coming to the tail end of our warmest season, and it's not a very fond farewell.

 
Lover
Susien Chong and Nic Briand, the designers behind dreamy label Lover, obviously share the inclination to cling tightly to the best of the season. With sweltering February almost behind us, the remnants of an Australian Summer are sun-bleached and beautifully balmy, without the sting of post-beach sunburn to hamper our enjoyment. The teaser video for new Lover collection The Harvest is lazy, low-key and drenched in sunlight. The clothes? Easy-cool cottons, linens and laces in softly romantic shapes that ask politely to be taken on a picnic.

And that is exactly the laid-back vibe that I want to soak up as these balmy days peter to a close- spending late afternoons lying in the grass with a good book, listening to some breezy lo-fi tunes and soaking up the last rays of buttery sunlight before Autumn takes hold. London Fashion Week it ain't.

Wednesday, 17 February 2010

Those naughty royals!

“Like all the best families, we have our share of eccentricities, of impetuous and wayward youngsters and of family disagreements.” Queen Elizabeth II

There is something of the runaway train about our royals- they always seem a bit off the rails, a bit out of control, a bit, well… mad. They try to cling to their inherent Britishness with stiff-upper-lips, tea breaks and respectably tailored wardrobes, but what keeps us ever so constantly amused are their shortcomings- the potty-mouthed private phonecalls of the Prince of Wales, the drunken antics of Princess Beatrice, and the odd outing of Nazi party attire.

 Mulberry
Emma Hill’s Fall 2010 collection for Mulberry captures all the cheeky contradictions of our beloved Brit royalty- heavy fabrics and furs in rich jewel tones teamed with jarring royal blues and neon corals, a demure trench with bright yellow knee high boots. Even when the models were decked out in prim grey skirt-suits, their black eyeliner was liberally smeared and their hair piled high, haphazard and flyaway on their heads. It was as if a motley collection of punkish princesses had stayed out until four am to shake off the stuffiness of yesterday morning’s royal responsibilities.

I suppose the lesson Mulberry has taught us with their latest collection is that, like us, even the royals occasionally come unstuck at the seams. So how can we inject a little majesty into our lives?


 Let’s face it, modern social convention doesn’t really look kindly on people wearing gem-encrusted precious-metal headwear in daily life, so this Crown ring by New York label Sunday’s Best is a worthy (and subtle) alternative.

What princess can get through the day without a morning pot of tea? Even if you look a little worse for wear after a night getting down and dirty with the commoners, this mug is sure to get your point across (and taking a cue from our favourite young royals, tea needn’t be your only tipple!).

What’s royalty without a little rebellion? Pop on modern classic ‘The Queen Is Dead’ by the Smiths for some treasonous twirling.

Tuesday, 16 February 2010

Picnics, prairies & polygamists.

 
If the dreamy Picnic At Hanging Rock has taught me anything, it’s that nothing is sexier than a good dose of mystique. Miranda, the heavy-lidded dreamer of the piece, is one of the most alluring conundrums I have seen on film. Floating languidly and nonchalant throughout, she immediately becomes mistress of any domain she enters, her aura permeating the wild landscape even after her curious disappearance. With her stiff cotton dresses buttoned to within an inch of her life, her only concession is the folly of some frills. We long to see beneath the enigma (and the frock). 


The same can be said of Chloë Sevigny’s prickly Nicolette in TV’s Big Love. She may be difficult, stubborn and too-much at times, but there’s little doubt there’s a lot hiding beneath that starched polygamist collar. And with her buttons all the way to the top and hair perennially in a low plait, it could be said that Nicolette owes more to SS10 Miu Miu than the Book of Mormon.


Marc Jacobs, Givenchy, Miu Miu
Thus, staid has become seductive. The functionality of a high neck and the classic romance of frills have met with hemlines slashed at the thigh and cheeky sheer fabrics. Innocence clashes with impudence in delicious incongruity. 


The whimsical high collared frocks of Australian label Lover are the perfect mélange of prim and luxe. Long sleeves and buttons tracing their way right up the neckline would not look out of place on any of the Little House on the Prairie girls, were they not made from such lush fabrics. Pop on a dab of coquettish nude lippy, make like Miu Miu with a slick of liquid eyeliner and a messy low-slung braid, and finish with a pair of shoes Laura Ingalls-Wilder would deem obscene.  Prairie practicality goes provocative.